4-Week: Tapping Into Your Weirdness

George Saunders says, “Fiction at its best is not supposed to just be this flat, perfectly reflective mirror that presents a linear position of ‘life as it is.’ We should expect and enjoy some distortion in the baseline representation.” This class will be geared toward allowing that distortion—that weirdness—into your own writing. By close-reading examples of distorted realities, practicing written exercises, and sharing our results, we’ll address how and why tapping into the weird might be the best thing for your work at both the generative and revision stages. Come ready to get weird.